top of page

2024

PERFORMANCES

DIRt - Rosalind Crisp

La nuit des Idées

NGV National Gallery Victoria

Gracia Haby review

2023

PERFORMANCES

The real time it takes...

review

interview

2022

PERFORMANCES

DIRt - Rosalind Crisp

Fragile Earth symposium

Gippsland Art Gallery

 

 

DIRt - Rosalind Crisp

Solastalgia exhibition

Climarte gallery

 

EXHIBITIONS / SCREENINGS

white flesh on alpine ash

Rosalind Crisp & Andrew Morrish

Gippsland Art Gallery

2021

PERFORMANCES

DIRtywork - solo Rosalind Crisp

Latrobe Regional Gallery

 

 

EXHIBITIONS / SCREENINGS

Cape Conran burnout

Rosalind Crisp & Andrew Morrish

East Gippsland Art Gallery

Artery

Lisa Roberts & Rosalind Crisp

Concerned Artists Resisting Extinction

Orbost Exhibition Centre

Bowing Mt Delusion

Vic McEwan & Rosalind Crisp

Concerned Artists Resisting Extinction

Orbost Exhibition Centre

& Light Moves festival Limerick, Ireland

 

 

FORUMS

Are planned burns keeping us safe?

 

PUBLICATIONS 

Stony Creek Collective

 

2020

EXHIBITIONS

East Gippsland Art Gallery

INTERVIEWS / ARTICLES

MaCulture France

East Gippsland Art Gallery

RESEARCH

Cape Conran  (video)

Cape Conran  (installation sketch)

Cape Conran  (photos

Point Ricardo  (photos)

Rosalind Crisp received the 2020

Regional Arts Victoria Fellowship 

to be artist-in-residence at Orbost Exhibition Centre, where she extended her DIRt (Dance In Regional disaster zones) research and presented studio showings and site specific performances throughout the year.

2019

PERFORMANCES

Sydney Opera House - DIRtywork

Dance Massive - DIRtywork

 

RESEARCH RESIDENCIES

WAG/Chunky Move

Dance Limerick Ireland

2018

Artlands Victoria

Critical Path  (video)

East Gippsland Art Gallery

Mt Delusion  (video)

2017

 

Marlo Bushland  (video)

Mt Delusion  (video)

Critical Path

Orbost Mechanics Institute

 

DIRt performances are made for local audiences in raw and damaged sites. Materials are honed through residencies as we explore ways to take this grounded, located work to other places. What influence does this have on how we treat, present and shape our materials? How can the local experience speak to the wider community?

DIRt has a mobile format, responsive to context and spaning performance, seminar, scientific information, poetic response, fact and feeling.

bottom of page